{"id":1899,"date":"2010-02-18T21:47:00","date_gmt":"2010-02-18T21:47:00","guid":{"rendered":"http:\/\/www.nodesign.net\/blog\/admin\/wp\/?p=1899"},"modified":"2010-04-14T18:39:02","modified_gmt":"2010-04-14T18:39:02","slug":"gilbert-simondon","status":"publish","type":"post","link":"https:\/\/www.nodesign.net\/blog\/gilbert-simondon\/","title":{"rendered":"Gilbert Simondon"},"content":{"rendered":"<div><span class=\"Apple-style-span\" style=\"  line-height: 19px; \"><strong>Gilbert Simondon<\/strong>&nbsp;(n\u00e9 le 2 octobre 1924 \u00e0 Saint-\u00c9tienne et mort le 7 f\u00e9vrier 1989 \u00e0 Palaiseau)&nbsp;est un philosophe fran\u00e7ais du&nbsp;<span class=\"romain\" title=\"Nombre&nbsp;\u00e9crit en chiffres romains\" style=\"text-transform: lowercase;  \">xx<\/span><sup class=\"exposant\" style=\"vertical-align: text-top; position: relative;  top: -5px; \">e<\/sup>&nbsp;si\u00e8cle. Son \u0153uvre, produite pour l&rsquo;essentiel entre 1954 et 1968, traite de l&rsquo;appartenance de l&rsquo;homme au vivant&nbsp;de la centralit\u00e9 philosophique du probl\u00e8me de la&nbsp;<a href=\"http:\/\/fr.wikipedia.org\/wiki\/Technique\" title=\"Technique\" style=\"text-decoration: none;  background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background- background-position: initial initial; \">technique<\/a>&nbsp;ou encore des nouvelles formes d&rsquo;<a href=\"http:\/\/fr.wikipedia.org\/wiki\/Ali%C3%A9nation\" title=\"Ali\u00e9nation\" style=\"text-decoration: none;  background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background- background-position: initial initial; \">ali\u00e9nation<\/a>. (Wikipedia)<\/span><\/div>\n<p>\n<!--more--><br \/>\n<strong>Entretien sur la m\u00e9canologie (1968)<\/strong><\/p>\n<p> <object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/7FjNb-fuRyk&amp;hl=fr_FR&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><\/object><br \/>\n <object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/wahdWc9mOug&amp;hl=fr_FR&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><\/object><br \/>\n <object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/DSPdynvC2VA&amp;hl=fr_FR&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><\/object><br \/>\n <object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/Nr0V131ZbO4&amp;hl=fr_FR&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><\/object><\/p>\n<div>\n<div>\n <object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/jVHc_NRaEq8&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;hl=en_US&amp;feature=player_embedded&amp;fs=1\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowScriptAccess\" value=\"always\" \/>\u00abEntretien sur la m\u00e9canologie\u00bb est une entrevue dune dur\u00e9e denviron une heure quatorze minutes conduite en 1968 par Jean Le Moyne avec Gilbert Simondon. Elle est r\u00e9alis\u00e9e par Jacques Parent, du Minist\u00e8re de l\u00c9ducation du Qu\u00e9bec, et produite par lOffice National du Film du Canada. Jean-Claude Labrecque est cr\u00e9dit\u00e9 pour la direction photographique.<\/p>\n<p>Le document original en 16mm (trois bobines) est conserv\u00e9 dans le fond darchive Jean Le Moyne (MG 30 D 358, vol. 5, dossier 16) de la Biblioth\u00e8que et archives Nationale du Qu\u00e9bec (BaNQ, au centre darchive de Qu\u00e9bec). Il est r\u00e9pertori\u00e9 dans le catalogue Pistard.<\/p>\n<p>Transcription<span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif; \">&nbsp;\u00e9crite de &nbsp;<a href=\"http:\/\/www.springerlink.com\/content\/d863m15704p7w07g\/fulltext.pdf\">Vincent Bontems<\/a>&nbsp;<\/span><\/p>\n<p> A lire. Du mode d&rsquo;existence des objets techniques, Aubier, 1958<\/p>\n<div>\n<p> Merci \u00e0 Alice Marechal<\/p><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<div><span class=\"Apple-style-span\" style=\"  line-height: 19px; \"><strong>Gilbert Simondon<\/strong>&nbsp;(n\u00e9 le 2 octobre 1924 \u00e0 Saint-\u00c9tienne et mort le 7 f\u00e9vrier 1989 \u00e0 Palaiseau)&nbsp;est un philosophe fran\u00e7ais du&nbsp;<span class=\"romain\" title=\"Nombre&nbsp;\u00e9crit en chiffres romains\" style=\"text-transform: lowercase;  \">xx<\/span><sup class=\"exposant\" style=\"vertical-align: text-top; position: relative;  top: -5px; \">e<\/sup>&nbsp;si\u00e8cle. Son \u0153uvre, produite pour l&rsquo;essentiel entre 1954 et 1968, traite de l&rsquo;appartenance de l&rsquo;homme au vivant&nbsp;de la centralit\u00e9 philosophique du probl\u00e8me de la&nbsp;<a href=\"http:\/\/fr.wikipedia.org\/wiki\/Technique\" title=\"Technique\" style=\"text-decoration: none;  background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background- background-position: initial initial; \">technique<\/a>&nbsp;ou encore des nouvelles formes d&rsquo;<a href=\"http:\/\/fr.wikipedia.org\/wiki\/Ali%C3%A9nation\" title=\"Ali\u00e9nation\" style=\"text-decoration: none;  background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background- background-position: initial initial; \">ali\u00e9nation<\/a>. (Wikipedia)<\/span><\/div>\n<p><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[8,6,7],"tags":[60,33,34,25,44,27,49],"class_list":["post-1899","post","type-post","status-publish","format-standard","hentry","category-design-ducation","category-design-strategie","category-les-aleas-et-bonheur-de-la-vie","tag-lab","tag-objet","tag-objets","tag-photo","tag-technique","tag-ui","tag-web"],"_links":{"self":[{"href":"https:\/\/www.nodesign.net\/blog\/wp-json\/wp\/v2\/posts\/1899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nodesign.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nodesign.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nodesign.net\/blog\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nodesign.net\/blog\/wp-json\/wp\/v2\/comments?post=1899"}],"version-history":[{"count":4,"href":"https:\/\/www.nodesign.net\/blog\/wp-json\/wp\/v2\/posts\/1899\/revisions"}],"predecessor-version":[{"id":4308,"href":"https:\/\/www.nodesign.net\/blog\/wp-json\/wp\/v2\/posts\/1899\/revisions\/4308"}],"wp:attachment":[{"href":"https:\/\/www.nodesign.net\/blog\/wp-json\/wp\/v2\/media?parent=1899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nodesign.net\/blog\/wp-json\/wp\/v2\/categories?post=1899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nodesign.net\/blog\/wp-json\/wp\/v2\/tags?post=1899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}